Fischer Edit’s Lindy Wilson edited this new spot from Land O’ Lakes featured as Ad of the Day on Adweek. Check it out here.
Monthly Archive for June, 2009
Best Of Show ADDY Honor Is For The “Birds”
Washington State Lottery’s “Birds”
WASHINGTON, D.C., June 09, 2009, — From SHOOT’s “The Best Work You May Never See” gallery in June 2008 to a year later earning Best of Show distinction at the 2009 ADDY Awards in Washington, D.C., this past weekend (6/6)–that’s the progression for a Washington State Lottery TV spot titled “Birds” directed by Jerry Brown of Sticks+Stones Studios, Los Angeles, for Publicis in the West, Seattle.
In the commercial (which also copped a Gold ADDY), enterprising people take it upon themselves to give the gift of flight to birds who can’t otherwise–namely a penguin, a chicken and an emu. The means toward that end are hang gliders with harnesses on each to accommodate the penguin, chicken and emu, respectively. After we witness each bird get its debut flight experience, a voiceover and an accompany super relate, “Every bird should get to fly.” A tag appears with the Washington State Lotto logo and the slogan, “Whose world could you change?”
Director Brown noted that the penguin, chicken and emu didn’t actually fly in the spot. A prime challenge of the project, he said, was “how to seamlessly composite birds with hang gliders and still make it feel spontaneous and observed.” This meant that Brown had to capture the birds “enjoying flight” even through they weren’t experiencing it. Brown and DP Tom Olgeirrson deployed camera angles that “while interesting, didn’t stretch credulity,” said the director. “The animal trainers worked with the birds for more than a week, suspending them in harnesses and getting them used to being in their rigs.” Jake Parker of Fischer Edit, Minneapolis, served as VFX supervisor/Flame artist on the job. Fischer’s Lindy Wilson was the editor. Attracting Brown to the job was its positive, uplifting spirit, focusing on the good deeds lottery winners can perform–”to show someone,” said the director, “doing something for someone that they couldn’t do themselves.”
The Publicis in the West ensemble included creative director Dan Fietsam, art director Scott Rasmussen and copywriter Jeff Siegel. Among the other Gold ADDY winners were: Federal Express’ “Carrier Pigeons” directed by Tom Kuntz of bicoastal/international MJZ for BBDO New York; the American Legacy Foundation’s “Tough Love” (part of the “Truth” campaign), also directed by Kuntz, this time for Boston agency Arnold; and the Environmental Defense Fund/Ad Council’s “Polar Bears” directed by Tim Godsall of Biscuit Filmworks, Los Angeles, for Ogilvy New York.
The annual ADDYs competition is conducted by the American Advertising Federation (AAF). For a full rundown of this year’s ADDY Awards winners, log onto www.aaf.org and click on “awards.”
Washington Lottery “Birds”, edited by Fischer Edit’s Lindy Wilson with Visual Effects Supervision from Fischer FX’s Jake Parker, swept the 2009 ADDY Awards show taking “Best in Show” and a “National Gold Award.”
The awards show put on at the American Advertising Federation National Conference in Washington D.C, crowned all kinds of advertising both professional and student, including broadcast spots. Out of roughly 1600 entries judged in the national competition, “Birds” was chosen out of the 330 ADDY Awards presented.
This win trails on the spot’s win at the AICE in May, taking “Best of Minneapolis.” It’s been quite the year for this spot out of Publicis in the West, production company Sticks + Stones and director Jerry Brown.
Read what’s been said about this spot and its win:
“Best of Show ADDY Honor Is For The ‘Birds’” Shoot June 9, 2009
“News in Brief” Shots June 10, 2009
“Publicis In The West Takes 2009 ADDY Awards Best of Show” AAF June 9, 2009
“Those Birds Really Know How To Fly” Washington Lottery Press Room
Fischer FX’s Alicia Reece and Matt Collings got the opportunity to flex their 3D inspiration on a recent broadcast campaign for Cox Business through Minneapolis based ad agency Periscope. The team promised their ability to bring Sir Roger, a 3D medieval knight, to life for the spot intended to capture the youthful, online gaming crowd.
Reece, a 3D artist and modeler at Fischer FX, who has worked on 3D and motion graphics projects for clients like Target, Activision and Microsoft, saw this job as “paving the way to do more character stuff” in the future. Visual Effects artist Collings attended the shoot with the real Sir Roger, taking reference photos and observing the mood of the spot.
While Reece began building the knight, Collings modeled the stone fortress background, texturing the location and lighting the whole scene. The team approached the movement of the knight carefully, inducting a volunteer, a broom handle and some lobby couch cushions to ferment the knight’s movements on tape and inevitably help the animation process through film reference.
As it turned out, the original request turned into two scenes lengthening their time frame. After which the team composited and matched their textures to reference images resulting in the final image seen below.
Fischer Edit’s Tim Taylor edited the spot with online by Fischer FX’s Jay Holgate and Jake Parker as Flame Artist, the final mix was provided by Modern Music.
